- Elbow pointing down. Where is your sound– down or around you? Surround yourself with sound or don’t conduct at all.
- Widely spread fingers or conducting with index finger for more than beat or two. (Do you threaten or single people out?)
- Bending knees with the beat (very common). It is distracting, and unnatural.
- Bending head with the beat (very common). Looks very uncomfortable, is your neck hurting?
- Tucked neck, or forward neck: You must have stiff shoulders then.
- Stiff or razed shoulders. Yes, see the above.
- Hands that mirror most of the time. This is boring and screams “poor technique” Fix it!
- Hands that move in only one physical dimension Infront your body. Have you heard of dynamics and phrasing?
- Body continuously leaning on one side: If your body can’t keep balance how your music would?
- Missing beat preparation or just catching up the beat (this is really bad one, how people can really play/sing with you). Do you chase the performers, or you want them to chase you for the beat?
- Forgetting that score had many more layers than the melody. Yes, these conductors that hear only the melody.
- Conducting behind the beat; you wait the performers to lead you, then just go, they can play without you!
- Not knowing well your score!! Who is coming, when, who is important, why? Where is the climax, and then, what? Relationship between sections, movements, tone color? I would say, learn to play piano first, and then venture to conducting. Take responsibility of your sound.
How to fix all these? You need solid lessons, find a teacher or call me.
© Dr. Nelly Matova, Matova Music School 2025